Black Jade Creative

My “red” vision board that keeps me tapped into my power.

What’s with the color red?   As a scorpio it means everything as we tend to be the folks who are passionate, passionate, passionate right down to how we put our socks on when we get dressed.

On this Valentine’s Day, I thought it would be interesting to take a closer look at the color red to see what its been intimately associated with over the years, across time and cultures.

As you read, you’ll discover the power it carries — power you can use appropriately in your brand.

This article reposted in whole:

All About the Color RED

Written by Kate Smith, CMG, CfYH
Baskets of apples and a red color palette

Introducing red

Meaning, symbolism and psychology of color: All About the Color redRed has more personal associations than any other color. Recognized as a stimulant, red is inherently exciting and the amount of red is directly related to the level of energy perceived. Red draws attention and a keen use of red as an accent can immediately focus attention on a particular element.

How the color red affects us physically

  • Increases enthusiasm
  • Stimulates energy and can increase the blood pressure, respiration, heartbeat, and pulse rate
  • Encourages action and confidence
  • Provides a sense of protection from fears and anxiety

Meaning, symbolism and psychology of color: All About the Color red

Red: The color of the base or root chakra

Red is the color fo the base or root chakra. This chakra is located at the base of the spine and allows us to be grounded and connect to the universal energies.

First chakra, base of the spine. Groundedness, trust, belonging, lessens feelings of mistrust.

Gemstones that will aid the Root chakra include lodestone, ruby, garnet, smokey quartz, obsidian, hematite and onyx.

See more about chakra colors

Red around the globe

  • Red represents beauty in many languages and cultures, including Russia.
  • In Chinese culture, colors corresponded with the five primary elements, the directions and the four seasons. Red was associated with fire, south, and summer.
  • In Japan, the color red is associated closely with a few deities in Shinto and Buddhist traditions, so statues of these deities are often decked in red clothing or painted red. Mark Schumacher has a page on his site the goes into depth on the Color Red in Japanese Mythology.
  • In Sweden, Falun red (red based on the pigment from the Falun mine) was reserved for the privileged class.
  • In China, red is associated with good luck and fortune.
  • In Greece, Easter eggs are dyed red and the Greek expression “piase kokkino” (“touch red”) is said when two people say the same thing at the same time. It is believed that such an occurrence is an omen that the two will have an argument in the future, which can only be broken when the two touch the closest thing that is red.
  • In Jamaica, a popular slang term for someone who is under the influence or drunk is “red.”
  • In England, red phone booths and red double decker buses are national icons. Standard British pillar boxes (mail boxes) have been painted red since 1874.
  • In India, a red mark on the forehead is said to bring good luck.
  • To the Hindu, red symbolizes joy, life, energy, and creativity.
  • Islamic, Hindu, and Chinese brides traditionally wear red.
  • Cochineal red, discovered by the Aztecs, was made using the female cochineal beetle. A pound of water-soluble extract required about a million insects. For the Aztecs, Indian red dye was considered more valuable than gold! However, it was the Spaniards who introduced the crimson color of Cochineal red to Europe in the 1500s.
  • In Aztec culture, red was connected with blood.
  • Red amulets were worn in many cultures to prolong life.
  • In Singapore, the color red traditionally symbolizes joy.
  • Chinese New Year is celebrated by wearing red clothing and decorating the house with red. Red envelopes with “luck money” are given to unmarried children to bring good fortune to them for the rest of the year.
  • Red symbolizes feast days of martyrs in the Catholic church.
  • In Israel, kosher clothing stores banned the color red and sell only loose-fitting apparel for women.
  • The belief in the protective power of the color red can be traced back to the old Chinese folklore of the Nian, a man-eating beast of ancient China who used to feed on human flesh. Discovering that the creature abhorred loud noises and the color red, the people made liberal use of the color not only in their firecrackers, but also in home decorations and clothing to protect themselves from the Nian.

Political associations with red

  • The color red represents the U.S. Republican Party and beginning with the 2000 presidential election, states that favored the Republican candidates began being referred to as “red states,” while those that favored the Democratic candidates were referred to as “blue states.”
  • Red is the color most associated with the Soviet Union during communist reign.

Interesting information about red

  • Red is the highest arc of the rainbow.
  • Red is the first color you lose sight of at twilight.
  • The longest wavelength of light is red.
  • In the financial arena, red symbolizes a negative direction.
  • Eric the Red is the Norwegian Viking credited for colonizing Greenland…he earned his nickname from his bright red hair and beard.
  • Feng shui recommends painting the front door of a home red to invite prosperity to the residents.
  • According to “The Language of Stained Glass” at Armstrong Browing Library at Baylor University: When Dante spoke of the Seraphim – the first of the nine choirs of Angels – the color that “glows” was the pure orange vermilion which his fellow citizens and brothers-in-spirit (the painters, illuminators, and glassmen) knew as red. So, it may be said that pure red is the color of divine love, the Holy Spirit, courage, self-sacrifice, martyrdom, and all the warm impulses that belong to the great-hearted everywhere.
  • Bees can’t see the color red, but they can see all other bright colors. Red flowers are usually pollinated by birds, butterflies, bats, and wind, rather than bees.
  • Red is the color that means “severe” in the color-coded threat system established by presidential order in March 2002. This system quickly informs law enforcement agencies when intelligence indicates a change in the terrorist threat facing the United States.

Red in athletics and sports

There are several American teams that use red as their primary color.

  • Baseball teams include the Boston Red Sox and St. Louis Cardinals.
  • Basketball teams include the Chicago Bulls.
  • Hockey teams include the Detroit Red Wings.
  • Thanks to a reminder from reader D.A. I want to mention the University of Nebraska Cornhuskers. Their team motto is “Go Big Red”, their mascot is “Lil Red” and in her words “the stadium full of fans it is known as ‘The sea of red’ as fans always wear red.” Go Huskers!

Red as a signature color

  • Frank Lloyd Wright
  • Bodacious Woman Mary Foley

Companies or brands identified with red

  • Coke
  • Red Bull

See more brand, trademark, & signature colors…

Red and good causes

  • American Red Cross
  • American Heart Association
  • The red ribbon is an international symbol of AIDS awareness.
  • The Red Ribbon Campaign is a drug prevention program
  • Product Red
  • Leonard Cheshire International
  • Girls, Inc.

Popular phrases that include red

  • Red carpet treatment: giving privileged treatment to an important person
  • Caught red-handed: clearly guilty
  • Red in the face: to become embarrassed
  • Seeing red: to be angered
  • Red flag: a warning of danger
  • Not worth a red cent: having no value
  • Red letter day: a memorable, joyful day
  • Red tape: excessive formalities in governmental process
  • In the red: a term to describe an economic loss
  • Scarlet letter: a punitive mark of adultery that originated with the novel (1850) The Scarlet Letter by Nathaniel Hawthorne.

See our list of popular phrases that include color…

Quotes about red

  • “Everyone knows that yellow, orange, and red suggest ideas of joy and plenty. I can paint you the skin of Venus with mud, provided you let me surround it as I will.” — Eugene Delacroix
  • “If one says ‘Red’ – the name of color – and there are fifty people listening, it can be expected that there will be fifty reds in their minds. And one can be sure that all these reds will be very different.” — Josef Albers
  • “Of all the hues, reds have the most potency. If there is one electric blue, a dozen reds are so charged. Use them to punctuate white, burn into bronzes, or dynamite black.” — Jack Lenor Larsen
  • “Painters use red like spice.” — Derek Jarman
  • “Perhaps blue, red, and yellow strike the mind more forcibly from there not being any great union between them, as martial music, which is intended to rouse the nobler passions…” — Sir Joshua Reynolds

See entire list of quotes about color…

What it says about you when you buy a red vehicle

There is no question that the vehicle you drive is an extension of your personality — an unspoken but clear message to the rest of the world.

  • The message you send by driving a vehicle that is Vibrant Red: Sexy, speedy, high-energy, and dynamic.
  • If, however, your vehicle is a Burgundy or Blue-red, you give a similar message but far less obvious.

From The Color Answer Book by Leatricce Eiseman with permission

See what the color of the vehicle you buy says about you…

Songs with red in the title

  • “Black, Red, Yellow” by Pearl Jam
  • “Blue Red and Grey” by The Who
  • “Courtesy of The Red, White And Blue” by Toby Keith
  • “Flaming Red” by Patty Griffin
  • “I Saw Red” by Warrant
  • “Lady in Red” by Chris Deburgh
  • “Little Red Corvette” by Prince
  • “Red House” by Jimi Hendrix
  • “Red, Red Wine” by UB40
  • “(The Angels Wanna Wear My) Red Shoes” by Elvis Costello

Red in the garden

  • Red is considered a warm color in landscape design. Its appearance in the garden has an energetic effect.
  • Red flowers and foliage give the illusion of coming forward in the landscape, helping to make a large garden feel cozier.
  • Red plants attract the eye and are a good choice for areas you want to draw attention to.
  • Red’s complimentary color in the garden is green.
  • Write mystery into your garden plots by combining deep reds, such as burgundy, maroon, and russet, with equally dark purple and chocolate brown. Such sultry combinations create the illusion of depth and hidden distances. –Better Homes and Garden

Red and our sense of taste

Red fruits are flavorful and nutritious. Although not seen as frequently, there are also red vegetables. A few of my favorite red foods are listed below.

  • The warm scent and flavor of baking apples is a sure sign that fall is just around the corner.
  • The fragrant, sweet juiciness and deep red color of strawberries can brighten up both the taste and aesthetics of any meal; it is no wonder they are the most popular berry fruit in the world.
  • Fresh cranberries, which contain the highest levels of beneficial nutrients, are at their peak from October through December, just in time to add their festive hue, tart, tangy flavor, and numerous health protective effects to your holiday meals.

Red and our sense of smell

  • “Red is a color associated with poison, passion and seduction” — Aromascope
  • “Gallica Roses come in crimsons, deep pinks, mauves, and stripes and splashes. They are most often described as having Old Rose fragrances, which can be intense and spicy.” — American Rose Association
  • AromaPod, a scented lifestyle tool, uses the color red with the scent that provides energy.
  • “Cherry” was the original scent of the red colored Magic Scents Crayons from Binney & Smith Inc., introduced in 1994 with mostly food scents. However, there were numerous reports that children were eating the food-scented crayons, so the food scents were retired and replaced with non-food scents. The scent for the color red became “cedar chest.”

Tell us what you know about the color red

Ever think about employee branding?  Well now you will.

Employee branding is an indirect branding effect using company employees to help characterize the company’s Employer Brand. In other words, this is a way of helping your brand through good word-of-mouth by the people who work for you.

I read an article about a month ago about McDonald’s having a huge hiring event.  McDonald’s has hopes of changing the public’s view on working there from a “dead-end, last resort” type of job, into a career path with possibility of growth and development.  Does employee branding have anything to do with the way others judge working at a company?

I was curious to learn why it is viewed as OK for someone to get a job at Starbucks compared to someone getting a job at McDonald’s.  Both pay hourly, both hire people of different genders, ethnicities and ages, and both have uniforms.  I made a few attempts to contact someone from McDonald’s and Starbucks to see what they think about their employee branding and what it means to them…. but got no answers in return….ooo the life of an intern.  Luckily, the folks at Schupp Company, Fleishman-Hillard, and Scottrade gave me great insight about employee branding and how it keeps their companies successful.

Each company had a slightly different emphasis on employee branding and the best way to make the most of it.

Michael Buffa, a junior team member at Schupp Company tells me he has always known Schupp Co. to have a solid reputation as a great place to work. He shared with me that Schupp Company is currently in the process of discussing their brand positioning, and how to empower employees to live that brand and share those experiences.

“Schupp Company has been very fortunate in the past in getting some great PR around St. Louis,” Buffa says, “we have received numerous “Best Place to Work” awards, appeared on news stations, and have been able to talk about overall agency credibility.”

This is a case of a company riding high on the quality of its work but by the reputations of its employees as well.

Michael tells me the people he meets say, “Oh wow, you work at Schupp?  I hear that is a great place to work!”  He says luckily they haven’t had to work too hard in the past to maintain Schupp Company’s great brand name.

Michael still knows that in the age of social media and transparency Schupp’s next step will be to work at maintaining the status they have established in the past.  I learned Schupp Company empowers you to do what you want to do.  If you view their website, you can clearly see that the employees have everything they need to stay creative, positive, and enjoying their home away from home.  Schupp Co. offers money to decorate your office area, beer, coffee, agency trips, the ability to bring your dog to work, a workout center, pool table, and other fun stuff to stay motivated.

Looks like employee branding is a piece of cake here…. and they actually might have cake in the office as we speak.

Fleishman-Hillard also takes great pride in employee branding, but in a more “actions speak louder than words” sort of way. I was pointed in the direction of Agnes Gioconda, Chief Talent Officer at Fleishman-Hillard who gave me great responses to all of my employee branding questions.  Agnes said that employee branding at FH is all about living the culture no matter whether you are in the U.S., Asia, the Middle East, or Europe.  It is about making sure that employees live by the code of ethics from day one and that their guiding principles of mutual respect, teamwork, and old-fashioned “client comes first” customer service is the global tapestry that is “our team”.  It is believed that you need a team of diverse employees who want long and rewarding careers, and FH wants them to have different points of view, educational and professional backgrounds, and personal experiences.

“Employee branding helps our clients feel confident that they will have the same exceptional client service around the globe.  Employee branding supports a seamless approach to integration supported by a unique and thoughtfully chosen network of experts.  It’s this consistency of high quality client service that has fueled the growth of FH,” says Agnes.

When I asked Agnes what they do to keep a great work place and name versus other companies that might not have such a good reputation, she said, “the bottom line is that you need to live by your code of ethics.   These guidelines should never go out of style, mutual respect, teamwork and old-fashioned “client comes first” customer service.”

Prestige and fun are both parts of what companies do to help with employee branding. Compensation is also a biggie on that list.

At Fleishman Hillard pay reflects their philosophy to attract and retain the highest caliber team in the industry.  Individual pay is determined by individual performance, level of responsibility, and assignment.  Employees are rewarded for their contributions with both financial and career opportunities.

My last stop was Scottrade where loyalty reigns supreme.  Here I got in touch with Leigh Hamer who stated, “In 31 years of business Scottrade has never had a layoff. Scottrade has given quarterly bonuses each quarter since instituting the practice 28 years ago. In three years the firm has more than doubled its workforce to 3,500 associates nationwide. We look for individuals who can live and support our culture; this extends to every job offer from interns to executives. More than 23 percent of our current branch managers began their careers with Scottrade as interns and more than 18 percent of our associates started as interns.”

Reputation is also a big driver of Employee Branding.

Glassdoor.com recently named Nestle Purina Petcare #1 of its “Top

Companies for Work-Life Balance,” list based on info from  according to employees.  The Nestle Purina staffers stated they get a gym, on-site daycare, credit union, and company store where they can shop.  The company is very understanding of giving its employees a flexible work schedule and even lets their employees can even bring their pets to work if needed.  In fact, Nestle Purina is looking for interns and entry-level job seekers to fill roles. You can find out more from STL Today.

Nestle Purina isn’t the only St. Louis company on the list. Scottrade ranks number 20 on Glassdoor’s “Top Companies for work-life balance,” which relies on the input of employees.

Prestige, fun, loyalty, reputation and of course compensation, it is clear to me employee branding does impact the way others view a company.  If the employees like working there, then others will want to work there as well.  Though it is very important to have a college degree if not higher degrees as well to get a job at one of these “Best Places to Work,” it is also important to see what these companies do in the long run for their employees.

In my opinion I do not know if any minimum wage paying job will ever be on quite the same level with employee branding as companies where you are salaried with a full time position, however there should always be opportunity to advance and move up in the work place, and these types of jobs are usually where positive employee branding is accomplished.

Article by: Valerie Rieben
Originally Published on AdSaint.com, May 31, 2011

A leisurely stroll through your local casino will leave you with a sensory overload of the number seven. 777 pops up on a slot machine, a pair of dice that add up to seven, red seven on a game of roulette…they all invoke a sense of luck in an otherwise risky game of chance. Some lotteries don’t even allow the number 777 to be played, due to its popularity.

While luck is a phenomenon that can’t fully be explained, there could be something behind the love of the number seven that sets it apart in our minds as ‘special’.

Seven As The “Virgin” Number

Let’s first look into what makes seven original, as a number. Mathematicians often refer to it as the “virgin” number, for a few reasons.

Firstly, it is untouched by other numbers. This means that no number divides or enters into it. (e.g. Four can be divided by two. Nine can be divided by three. Eight can be divided by four. Etc.)

Secondly, it is childless; it produces no other numbers. (e.g. Two produces four, six, eight, ten. Five produces ten. Etc.)

Seven is the only number, 1-10, that adheres to both of these rules. This distinction separates it from its neighbors in the dekad, making it a stand-alone. Whether viewed positively (important, special, unique) or negatively (neglected, alone, sequestered), seven is different. This gives it potential to depart from the norm and set its own status quo.

The regular heptagon also stands alone among other shapes, as it cannot be constructed using only the three tools of the geometer (compass, straightedge and pencil).

And a heptagram, although complete in construction, imparts a feeling of movement because our eye attempts to resolve the unevenness of the form. This makes the heptagram ideal for specific branding initiatives, since movement and motion are difficult to convey in a 2D environment.

Seven As A Cycle

Few numbers can be viewed as a complete unit, as seven is. It represents a whole event, with a beginning, middle and end. Examples of this can be found in literature, as books that are written in seven parts to convey the whole story. (e.g. Harry Potter, The Chronicles of Narnia, etc.)

Delving further into the heptad’s separation of beginning, middle and end, we find that those sections are often separated further into seven repeating stages. A perfect example of this is the splitting of cells.

Mitosis is a transformation along seven stages, and represents a complete, yet ongoing, process.

Seven As A Rainbow

Whether you know the colors of the rainbow as an acronym (ROY G. BIV) or merely by sight, a rainbow is a perfect example of the transcendence of the number seven through science and beyond.

First, let’s look at the science behind a rainbow from the most well known example: Pink Floyd’s “Dark Side of the Moon” album cover. When light passes through a prism, it separates into seven colors: red, orange, yellow, green, blue, indigo and violet. These are the spectrum of visible light. If you then introduce a second prism, those seven streams of light will reform into one ray of light.

Since a rainbow is merely a separation of light, it is never really in one place. It doesn’t manifest itself “at” any location, but instead presents itself as perceptible, yet ever intangible.

Also, did you know that the rainbow appears as an arc, but is really part of a full circle, which would continue underground if it could? Understanding the whole picture helps get questions answered, you just need to know what to ask. This incomplete process could be used to imply a sense of longing or partiality to a brand.

The effects of social media on marketing and branding have caught many CMOs off guard. Just five years ago, it was conventional wisdom that social media would quickly peak and fade in importance. Then two years ago, CMOs found themselves scrambling to launch Facebook fan pages and Twitter streams, trying to catch up with consumers who appeared to be migrating in droves to social networks and smartphones.

While the 30-second TV spot has held its own, the evolution of social media marches on. It continues to grow, and is entering its third stage of evolution. It is now becoming the focal point for consumers and citizens to form strong links and communities centered around shared values and common goals to persuade corporations to participate in building a better world. A few brands have caught on with cause-conscious marketing initiatives like the Pepsi Refresh Project, Starbucks’ Shared Planet, Walmart’s Sustainability Index, Nike’s Livestrong partnership, and Procter & Gamble’s “Clean Water Blogivation” effort, to name but a few.

Social media represents a significant and permanent change that CMOs must embrace. Disingenuous efforts to fast track your social-media footprint simply by stockpiling “fans” will not only prove ineffective but will backfire. Savvy social-media customers know when there is no authentic commitment to engage with them.

The key today is CMOs must shift their strategies from trumpeting their brand as the “celebrity” (with all attention directed inward on themselves) to being the chief celebrant of their customers’ community. This shift entails rethinking many fundamental elements of your marketing strategy. Here is a step-by-step strategy for brands to build customer engagement by leveraging the evolving tools of social media.

1. Define Your Core Values. Rethink how you want to define (or redefine) your brand. What are its core values? Its purpose? The answers should not be framed in terms of admirable but empty promises, but authentically humanistic values that are constructive and shareable within your brand community.

2. Get Leadership Buy-in. As CMO, you need to facilitate the adoption of these values throughout the company. It starts with getting buy-in from your CEO, and must extend down through the leadership and management ranks. You cannot let the inertia of the hierarchical organization become a stumbling block.

3. Align Employees Around the Values and Purpose. Your employee base is your first line of loyalty and word-of-mouth advertising for the brand, so you need to ensure that your brand’s support for social cause resonates with them. A powerful way to do this is to invite the CEO to craft a video message or contribute to a blog especially for employees. Also, promote employee volunteer activities and celebrate the good works they do on their own time within the company culture.

4. Celebrate Your Customers, Not Your Brand. This step is one of the hardest for CMOs who have built their success on traditional broadcast thinking. It involves transitioning from a push to a pull strategy, from “me first” to “we first” thinking. One of the key shifts here is to share the brand’s storytelling with your customers. You must invite them to co-author the stories your brand is telling and allow them to be partners in the distribution of content about your brand. The guiding principles of a pull strategy are as follows:

  • Recognize that your story is now your community’s story.
  • Lead with listening rather than talking about your own brand.
  • Start treating customers as living, breathing people with concerns about the world.
  • Invest time and energy in building relationships as well as making profits.
  • Expand from a sales focus into a service mentality.
  • Become a day trader in social emotion by constantly monitoring your brand’s reputation.

5. Focus customer service on engagement. Be mindful of the social footprint of your customers and see them as partners in disseminating your values rather than as purchasers of your products.

Taking these steps may feel uncomfortable at first, as they probably go against the grain of existing business models, profit centers and incentive schemes. But they are reflective of the new marketplace of customers that gravitate to social media at every chance they can to talk about their brand choices. Your goal is to authentically inspire your customers to become emotionally invested in the company’s success not only because they love your brand but because they respect your values and purpose.

Article by: Simon Mainwaring
Originally Published on AdAge.com, June 1, 2011

It’s hard to beat a clever use of negative space in logo design. Here are 29 or so logos I enjoy that use white space well, along with the designers/agencies responsible.

A.G. Low Construction logo design

A.G. Low Construction logo
By Rebecca Low

Martin Newcombe logo design
Martin Newcombe Property Maintenance logo
By buddy

Nexcite rabbit logo
Nexcite logo
By Amore
Via Blair Thomson

American Institute of Architects logo design
American Institute of Architects Center logo
By Pentagram

Ogden Plumbing logo design
Ogden Plumbing logo
By Astuteo

WWF logo design
WWF
By Sir Peter Scott, modified by Landor

FreemanWhite logo design
FreemanWhite logo
By Malcolm Grear Designers

Brand Union logo design
The Brand Union logo
By The Brand Union

Egg n Spoon logo
Egg n Spoon logo (same day couriers)
By Thoughtful

Human logo
Human logo
By Social UK

Eaton logo

Eaton logo
By Lippincott (thanks, Brendan)

Elefont logo design
Elefont logo
By Logo Motive Designs

USA Network logo design
USA Network logo
By Peloton Design

Carrefour logo design

Carrefour logo
Original design examined by Miles Newlyn (thanks Rianna)

Sinkit logo design

Sinkit logo
By smashLAB

Guild of Food Writers logo design
Guild of Food Writers logo
By 300million

ED logo design
ED logo
By Gianni Bortolotti

Blade logo design
Blade logo
By Subversive Design

Premier Catering logo
Premier Catering logo
By Madhouse
Via Logolog

FedEx logo design
FedEx logo
By Lindon Leader while at Landor

Ryan Biggs logo design
Ryan Biggs Associates logo
By id29

Hartford Whalers logo design
Hartford Whalers logo
By Cummings & Good (thanks, Jeff)

Conception logo design
Conception logo
By The Chase

Yoga Australia logo design
Yoga Australia logo
By Roy Smith Design

Hands On Network logo design
Hands On Network logo
By Duffy & Partners

MyFonts logo design
MyFonts logo
By Underware

Vanderbilt University logo design
Vanderbilt University logo
By Malcolm Grear Designers

Recycle Taiwan logo design
Recycle Taiwan logo
By do you know?

NBC logo design
NBC logo
By Steff Geissbuhler while at Chermayeff & Geismar

-Originally posted on LogoDesignLove on October 15, 2009

 

 

 

 

 

 

 

The most dangerous expression in advertising may be “I like it!”

Whether those words come from a creative director looking at work for the first time, or a seasoned client, that’s the expression that often launches new creative ideas into the world.

Unfortunately, one person’s enthusiastic first impression doesn’t tell you whether the work is actually good or bad, or how it will resonate in the marketplace. Without some criteria to guide our decisions, all of us who make creative decisions can speak too soon. Even the best creative minds occasionally like really stupid ideas that a larger audience doesn’t get or appreciate.

There’s some great advertising and there’s some awful advertising, and most reasonable people find themselves in agreement as to what’s inspired and what’s horrible. But the world is divided into Yankee fans and Red Sox fans for a reason. People have different tastes. Some of the fiercest agency battles I’ve witnessed have been heated debates focused on creative ideas and whether they’re brilliant or mere garbage. We’ve all stared at campaigns in disbelief and wondered who approved the multimillion-dollar media budget to communicate the incomprehensible, the offensive or the ridiculous.

Over the years I’ve found myself on every possible side of the creative fence. I’ve passionately lobbied for work that hit the market with a big resounding thud. I’ve cringed at work that went on to produce excellent results for clients. I’ve rolled my eyes as creative teams have vehemently argued for work that I thought was just in bad taste. Knowing the good from the bad is no easy matter.

Most of us are going to make some good calls and some bad calls. That’s life. But no matter what the call, we should apply some criteria, which should be quantifiable outside of our own idiosyncratic tastes.

I don’t believe there’s a magic checklist for making creative decisions, but here are some of the qualities I think about when deciding whether work is worth seeing the light of the day.

There has got to be the element of surprise that shakes up your thinking, whether it’s an ad or a digital experience. The worst is when the work reminds you of another campaign you’ve seen somewhere. The more imitative the idea, the less power it has to connect.

Look out for the lazy and the obvious. Who cares about originality if it lands on your brain like a brick? Do you really need an agency to tell that your product is like ____ on steroids. The same goes for weak analogies: “It’s like taking a shower, but without all the work.” Still, there must be a pretty good market for those ideas because you see a lot of them, and someone must have said, “I like it!” (Sometimes people confuse reaching the lowest common denominator with being obvious. Great work often draws upon simple ideas in sophisticated ways, or unites seemingly unrelated ideas with new connections.)

The agency should disappear. You only see the client’s product and their world, not the clever people who made the work. Like a good movie, you’re not thinking about the actors, you’re absorbed in the story.

I want to detect a human connection. If I respond to the idea, the offer, or whatever it may be I’m experiencing, I want to know there are some real people involved and that I’m not looking at some conglomerate’s bureaucratic interpretation of how people think and act. I also want to know that the people who are trying to sell me something have thought through the value proposition in the same ways as an intelligent consumer.

Great work finds some shared commonality of knowledge or experience that we can all relate to. Whether we’re talking babies, beer or automobiles — not to mention pharmaceuticals and microchips — there should be some element of the work that makes sense to all of us and leads us to a common conclusion.

There should always be insight into the inner life of the audience. Putting a kid on a skateboard doesn’t mean that you understand a thing about her world. Good creative always breaks through the stereotypes and the surface attributes to some original knowledge. If you can’t see beyond the surface, that’s because there’s probably nothing there.

That’s just me. You’ve got your own list. I’ve got nothing against passionate reactions. I just believe they need to be tested and defended. The important point is that you have given it some thought, and when you say, “I like it!” you know why.

-Originally posted by Phil Johnson May 18, 2011 in AdAge

I’ve been asked to speak this month about the power of proportion within the context of an email (a.k.a., eblast) campaign. I thought I’d start this topic first with what “good proportion” means.

Again, remember that my passion is looking at how we humans relate to the world around us based on a metaphysical perspective. [Huh?] In other words, how we see ourselves in relationship to the Universe.

What does this have to do with proportion? you ask.

Well, did you know that the proportion of distance from the tips of my finger to my wrist and my wrist to my elbow is the SAME proportionate distance as the Earth is to Venus and Venus is to the Sun?

This is what the artists, architects and engineers of the Renaissance referred to as the “ratio most pleasing to the eye”.

This ratio is referred to as Phi in geometry (I know think WAY back to high school, sophomore year), Fibonacci sequence in calculus (junior year) and in general known as The Golden Mean--a mystical phrase to describe the human eye’s desire to see art, buildings, lines, shapes and yes, even your business’ monthly eblast, in perfect proportion.

Cheers,

Rose Mulroney

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Now, I love all of you in my network dearly, but a word please on this whole cellphone use for business.

Etiquette Tip #1: If you officially use your cellphone for business, DO NOT, under any circumstances, answer “Hello….” Silence. as you expect the other person to guess as to whether or not they’ve called the right number.

What if this was a prospect (or worse, a hiring manager) calling to hire you?

“Hello, this is [first name]” or “Good morning, [first name/last name] speaking” will do the trick and leave you looking like the pro you are.

Etiquette Tip #2: DO NOT answer your cell phone when you’re not ready to have a focused conversation.

I can’t tell you how many times I’ve been working late in the office catching up on phone calls and been made the bad guy because I called someone’s cell and they were: 1.) at their kid’s sporting function; 2.) at a club with their friends; 3.) getting dressed for their best friends rehearsal dinner. People what are you doing?

Wait for your calls to go into voicemail and then check to see whether its urgent. This leaves you looking like you’re able to separate and honor business from personal.

Etiquette Tip #3: DO NOT tell someone “now is a bad time to talk, I’ll call you later” and then NEVER (and when I say never, I mean never, ever in the time/space reality we call this Universe) return that person’s phone call.

Use your digital notepad or calendar as a reminder to return “so and so’s” call. This leaves you within your business integrity and indicates that you are in fact a reliable source.

Now, I’m willing to admit that nobody’s perfect and we all have moments when we fall from cellphone grace, but again, if your number is listed as a business line then please remember to treat it (and the person on the other line) as such.

Cheers,

Rose Mulroney

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As someone who thrives on (and when I say thrive, I mean like grass is to a sheep) color as the very basis of what inspires me to bring together certain graphical elements that take shape and form into an impactful piece, I find the idea that color can heal very fascinating, and very close to my heart (which, by the way is the color of green).

This idea that we as humans, or as I recently heard it called, “hue”-mans, contain various points of energy that respond and react to a specific color range.  That, literally vibrate to different tones of color.

For example, I’ve been taking voice lessons not only because singing brings me joy (when did I forget that?), but it helps me get over my extreme anxiety about being seen and heard as the unique creative expert that I am–otherwise known as stagefright.

As I support my breakthrough to freely expressing myself vocally, I’ve been “tuning” my throat to the hue of blue–wearing BRIGHT turquoise scarves, eating blueberries, taking a moment each day as I walk to my office to gaze at the vastness of the blue summer sky.

Now I’m a sucker for essential oils, especially ones that mist, so I recently tried an Aura Mist in turquoise (peppermint, rosemary, juniperberry) and loved it!  Did it do what it was “supposed to”? All I can say is that I definitely felt inspired.

Think about this from a branding perspective: if we know that on a very visceral level we respond to different colors with different meanings, such as:

blue illicits a feeling of peace

turquoise a feeling of inspiration

green of balance

yellow of clarity

orange of creativity

then we can (and do) use this information when choosing specific colors for our client’s identity and brand which starts with their logo and is then incorporated into all their brand’s pieces whether its a printed brochure or landing page on their website, letterhead or eblasts.

Join me next week as I explore The Use of Color and Its Impact on Your Brand through client examples.

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